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Thursday, 17 September 2026

Reading and Democracy

Most contemporary journalism about social developments starts with a series of assertions. This is a form of argument that can be described as "Imagine if this were true". A recent example is John Harris in The Guardian suggesting that we're all so distracted by TikTok that the death of reading is imminent, and that in turn spells an end to democracy. The mechanism that Harris offers for the first assertion is contextual ignorance: the youth of today - subject to "a distracting and seemingly infinite jumble of random moving images" - cannot see the Fascist overtones of masked men blocking a port. As he puts it (with a smidgen of self-awareness): "But a background in the pre-digital world helps people not just follow national and global events, but clarify and contextualise them. In this case, at the risk of sounding hopelessly pompous, the fear many of us felt as we watched what happened in both ports was surely full of the perspectives gleaned from years of soaking up books and newspapers – and the sense that history often either repeats itself, or rhymes." In support of his claim, Harris cites a new book by the Times columnist James Marriott. I've not read the book (and am not about to), but have read the Substack essay (The dawn of the post-literate society) that was the germ of it and which provides the gist of the argument that we are undergoing an epochal transformation.

According to Marriott, "The tradition of learning is like a precious golden thread of knowledge running through human history linking reader to reader through time. It last snapped during the collapse of the Western Roman Empire as the barbarian tides beat against the frontier, cities shrank and libraries burned or decayed. As the world of Rome’s educated elite fell apart, many writers and works of literature passed out of human memory — either to be lost forever or to be rediscovered hundreds of years later in the Renaissance." Marriott's conservative register - the Burkean "linking" of the generations, the dissolution of the educated elite, the immigrant "tides" - means his prose sounds like something that could have been written in the Edwardian era (and probably was). This tone is front and centre in the expanded and scary title of the book: "The New Dark Ages: The End of Reading and the Dawn of a Post-Literate Society". As the more libertarian conservative Henry Oliver puts it in a review, "it feels as if James is part of a cohort that wishes to be in a different part of history".

That use of the discredited term "Dark Ages" should set alarm bells ringing. Historians prefer Late Antiquity, a period that runs from the late 3rd to the early 8th century in Western Europe. There was no "collapse" of the Western Roman Empire in 476AD, no "snapping of the thread", but a gradual evolution of the socioeconomic structure away from slave production and commodity trade towards stationary subsistence and a more attenuated trade in elite goods. The social order this gave rise to was more rural and less urban, but this was not an end to civilisation - i.e. the culture of the city - even in areas where towns were largely abandoned, such as Britain. Rome's educated elite didn't disappear, they simply became Church prelates. It's also worth noting that many of the barbarians had already been employed and even educated by the Romans, a longstanding practice. Perhaps the most famous of these was Arminius (Hermann the German), who was taken as a child to Rome, eventually becoming an equestrian rank military officer before leading a revolt in 9AD in defiance of Rome's plans to extend its territory from the Rhine to the Elbe. 


Taking high-ranking hostages like this was routine policy throughout the history of both the Republic and the Empire, which emphasises both the porous nature of the Roman/barbarian boundary at the personal and social level as well as the fact that many barbarian tribes were formal clients or allies of Rome. A similar policy was adopted by many subsequent empires, most notably the British, particularly in respect of the Indian princely states (think of Hurree Jamset Ram Singh becoming an excellent young gentleman at Greyfriars School). The Dark Ages was a popular trope with conservatives a century ago both because of an anglocentrism that assumed the atypical end of Roman rule in Britain was typical of Western Europe and because of long-held fears, from Gibbon onwards, that the British Empire would end in a similar manner: weakened from within and assaulted from without. Or to put it in terms that remain resonant for conservatives today, betrayed by its elites and over-run by foreign invaders.

The historical reality is that the successor states were as literate at an elite level as the same areas were during the late Empire. In other words, literacy was always confined to a small minority of the population. We can be confident about this because of those states' adoption of Christianity, a religion of the Book that drew a clear distinction between the need for a literate elite stratum and for the restriction of literacy among the wider population. By the time of Charlemagne and Alfred the Great, the state was taking a lead in encouraging the spread of literacy, at least among the nobility and the auxiliary classes required to support the state, such as the clergy and merchants. This gradual expansion highlighted a tension in the competing needs of secular society (as commerce and civil law became more prevalent) and the superstructure of the state. This would eventually lead to the Reformation, the explosion of printed matter and popular literacy.

Prior to printing, works of literature frequently "passed out of human memory" due to their fragility and the paucity of copies. Much of Greek literature was lost during the heyday of the Roman Empire, notably with the shift in medium from papyrus scrolls to bound parchment codexes. The latter were more expensive to produce, but longer-lasting, which resulted in many lesser works being dropped. This was exacerbated by a tendency to value Christian texts over pagan at a time when most manuscripts were predominantly produced by the Church (and which explains why many works of Greek philosophy come down to us via Arab copies). Marriott ironically reveals his own ignorance by assuming that these elisions were calculated rather than banally selective: "Ignorance was a foundation stone of feudal Europe. The vast inequalities of the aristocratic order were partly able to be sustained because the population had no way to find out about the scale of the corruption, abuses and inefficiencies of their governments." This would explain the total absence of any peasants' revolts during said era. John Ball, one of the leaders of the English Peasants' Revolt of 1381 was a priest, which meant he was literate ("When Adam delved and Eve span, Who was then the gentleman?")


Harris doesn't back up his second assertion, that a decline in reading will lead to a decline in democracy, but Marriott does. Unfortunately, he simply cites Neil Postman whose rather silly 1985 book Amusing Ourselves to Death claimed that television was making us passive and incapable of rational argument. For Marriott, "Just as the advent of print dealt the final death blow to the decaying world of feudalism, so the screen is destroying the world of liberal democracy." This is wrong on three counts. The period of expanding print literature (the post-incunabula era) runs for 300 years from 1500 to 1800. The final death blow to feudalism did not happen till 1806 with the formal end of the Holy Roman Empire. Likewise, we have been entranced by screens for over a century now, both in the cinema and the corner of the living room, yet that period saw the apotheosis of liberal democracy during les trentes glorieuses. Cause and effect is hardly proved in either case. 

Lastly, despite the focus on TikTok, most of what we see on phone screens is print. The Internet is a literary medium that incorporates images. It's like a book with illustrations, but dynamic and with added interactivity (so not passive). It's still the case that print > image online. The idea that we're going to lose the ability to read is obviously ridiculous, but there is no shortage of evidence that particular reading skills or habits are changing. But this isn't novel or even necessarily worrying, and the evidence for this evolution has been around for a very long time. For example, the claim that new university students are functionally illiterate is one that academics have been making since the curriculum was exclusively in Latin. This is self-serving both in the sense that it emphasises that students are empty vessels who must first accept their inferiority, and in the sense that it suggests academics have an ever harder job to do and should be paid accordingly. Likewise, the idea that the young (or the lower orders) are acquiring a novel argot that debases manners and promotes vice has prompted moral panics ever since the earliest days of newspapers.

The reality is that reading techniques change over time to suit the medium and the social context. When you owned only one book, you didn't skim read. When you bought a disposable daily newspaper, you did. The contemporary concern about the loss of literacy is about the how and why of reading, as much as the what. Rose Horowitch, in an influential essay in The Atlantic, claimed that "people are losing the ability to think deeply about writing. That doesn’t mean they are forgetting how to decode individual words. Rather, they are losing the higher-order abilities of comprehension and synthesis". That "higher-order" is a tell, like the assumption in 1984 that the proles could be kept quiet with pornography. The challenges of comprehension and synthesis are better explained by the superabundance of text (a fact) rather than the degradation of our abilities (an assumption about the weakness of others, rather than our literate selves). We are inundated with the written word - adverts, labels, tags - in a way that a Medieval scholastic would have found terrifying. This is capitalism, not a loss of virtue.

Just as the remnants of feudalism were cleared away by geopolitics rather than The Rights of Man (let alone the spread of the vernacular Bible in the 16th century), so democracy is now under threat from the power of money in politics and a general disillusion among voters as choice has been restricted to the options acceptable to the rich. Blaming our current situation on TikTok is akin to European reactionaries blaming Napoleon on the Freemasons or twentieth century liberals claiming that Hitler came to power solely because of the Volksempfänger (the people's radio receiver). This kind of hyperbolic history and naive technological determinism, repurposed to justify contemporary pessimism, is what you would expect from a conservative writer like Marriott. What remains less clear is why Harris should echo him so willingly. Is this simply The Guardian's hatred of social media finding common cause with Eeyorish reaction? Or does it reflect the nonconformist traditions of the paper and its belief that the lower orders should devote themselves to self-improvement? Answers on a postcard, if you still know how to write.

4 comments:

  1. I do think there is a definite change in the presentation of media, but this has gone in various different directions, which have their common link in the promotion of the medium itself. Take sports coverage, which has become both more trivial, childish and self-referential (try watching 'The Hundred' cricket on TV) and yet omnipresent with endless attention to detail and speculation (post-match analysis, 24-hour Sky Sports News, etc.). Social media has only magnified these trends.

    The same goes for reading. As you say, while the literate majority of the 20th Century might have used its 'skills' in reading the output of Northcliffe or Murdoch's newspapers and little else, now it is reading on social media, where 'clickbait' is omnipresent but more information outlets are available. Both of these 'models' are effectively vehicles for advertising, and completely aligned with the style of capitalism of their eras.

    Where I think things have changed a lot is in the steady erosion of bourgeois cultural supremacy, as its sociocultural life has been replaced by a more thoroughgoing focus on property and money. Reithian paternalism is definitely in sharp decline, reflected in the fact that the BBC, a non-profit organisation, indulges in clickbait and reality TV as much as any commercial organisation, while the bourgeois amateur ethos has almost disappeared in sport, with professional rugby union a long-term establishment now, and other sports dominated by corporate interests milking consumers. Old habits still survive, which is reflected in the fact that higher-brow reading is not really in decline, it has just vacated its cultural pedestal to the open pursuit of mass consumerism.

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  2. Should add that the problem with social media, and reading from social media, is not that it makes everything ephemeral and encourages short attention spans, but the opposite. One story or issue is covered and repeated so many times on social media (and 24-hour news) that its significance is magnified out of all proportion and people become obsessed with its importance. IMO, this distortion even outweighs the fear of 'fake news' and extreme opinion that many people associate with social media. This is one area where things have changed. It's difficult to imagine 'stop the boats' being such a issue in an era where it might have received a column at the side of a newspaper every so often and an odd 30 seconds on periodic new bulletins.

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    1. The key change in the media over the last 50 years has not been the appearance of a new medium (i.e. the Internet) but the expansion of all media, both old and new. This has seen ebb and flow between media (e.g. newspapers got much fatter, and now they're getting thinner again; linear TV has ceded ground to short-form video etc), but it is the quantum of content that matters. Our culture is filled with inane chatter and obsessions because there is so much more bandwith to fill.

      More is not necessarily worse, if it leads to genuine "choice", but what we're actually seeing is a homogenisation of content: a paradoxical narrowing as media expands. This, I think, explains "the erosion of bourgeois cultural supremacy". It isn't that we're dumbing down. Rather as elite cultural production has become more accessible, and the demand for content has encouraged greater referentiality and recycling, so the traditional boundaries (highbrow, middlebrow, lowbrow) have evaporated as they no longer correspond with specific media or channels.

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    2. I think that what still passes or aims for the mainstream has definitely dumbed down or trivialised, you only have to watch the BBC or trawl the shelves at Waterstones to see that. This is also linked to what I described as the erosion of bourgeois cultural pretensions, in that many high profile upper and middle-class people either sincerely or cynically adopt the traits of what they consider 'ordinary' culture to be, maybe because many of the 'stars' of this culture are now much richer than they are.

      Oddly, media is often much more intensive as well as extensive in manner. If you take cricket coverage, frequently the number of presenters and commentators is in double figures, whereas in the past it would have been a handful at most. It was customary to have more in radio because there was no other distraction than the human voice, but cricket commentary on TV now seems to have as much analysis of the crowd and the players celebrations as the game itself. This 'overmanning' is a trend in a number of fields, the ubiquitous comedy panel show one of the most obvious examples.

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