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Thursday, 29 January 2015

Game Theory

It is received wisdom that a punitive attitude towards German debt at the end of WW1 hamstrung the German economy, as JM Keynes foretold in The Economic Consequences of the Peace, thereby producing the hyperinflation of the early 1920s, and that the 1953 write-off of German debt after WW2 led to the economic miracle, or Wirtschaftswunder. Surely these facts should encourage the Germans to write-off Greece's debt now, given that it is widely regarded as unpayable and the country has achieved a primary surplus and is thus unlikely to need further bailouts?

This is naive. The French did not insist on punitive reparations under the Treaty of Versailles because they were too stupid to understand Keynes's warning. They wanted compensation for the damage done to them (the war was fought on French and Belgian territory while Germany was largely unscathed), hence their occupation of the Ruhr and Saarland as well as the recovery of Alsace and Lorraine, but they also needed to satisfy popular demands for emblematic revenge. The problem was that Germany was unable to offer enough to satisfy this demand, ironically because its limited colonial expansion before 1914 did not leave it with sufficient bargaining chips in the way of marginal assets. Cameroon and Togo were not much of a prize for France.

Similarly, the 1953 London Agreement balanced the write-off of German debt against the need to shore up the Federal Republic as the frontline in the Cold War following the end of the Marshall Plan. It is worth noting that Germany formally joined NATO in 1955, an event promptly followed by the creation of the Warsaw Pact. In other words, Germany was able to offer a significant quid pro quo, both in terms of its contribution to NATO and its willingness to act as a shop-window for Western capitalism and liberal democracy. With this in mind, we should think about the current negotiations between Greece and Germany in terms of political power rather than the intricacies of debt rescheduling. It is also worth noting that Greece's main negotiator, the economist and now Finance Minister Yanis Varoufakis, is an expert in game theory.

We should also avoid the caricature of innate Greek corruption (the real tax-dodgers are not marching on the streets of Athens, they are shopping in London), but likewise we should ignore the caricature of a German obsession with sound money (the recent British Museum exhibition on Germany was typical in this regard, with the profusion of coinage under the Holy Roman Empire leading inexorably to the Euro). Germany is no different to any other country in its willingness to damage its own economy for political reasons, from printing banknotes during WW1 to fund its military expenditure (in preference to foreign loans), which started the process of devaluation that would lead to hyperinflation, to converting Ostmarks to Deutschmarks at parity in 1990 for wages and prices, which decimated the less competitive industry of East Germany. Political economy trumps macroeconomics.

According to Daniel Davies, Greek debt is "part of the means by which control is exercised over the Greek budget by the Eurosystem ... [A]lthough Germany got massive debt relief in the twentieth century, it got it in the context of an equally massive national admission that the entire political system was rotten and needed to be totally restructured with foreign help". In other words, the Troika has always been concerned primarily with reform rather than repayment, so it may be persuaded to trade one for the other. The restructuring of Greece is less about Jean-Claude Juncker clamping down on corporate tax avoidance and more about "de-oligarchising" the economy, a task beyond the compromised parties of the centre. In other words, replacing a backward form of capital with a more progressive form, in keeping with the rest of the EU (a similar process is at work in Ukraine).

The Eurozone crisis has often been characterised in terms of north versus south or core versus periphery, with membership of these blocs varying as individual economies fluctuate (something that causes much angst in France). This binary paradigm has been a feature of European politics since the Treaty of Paris in 1951, and is most familiar to the UK in terms of "in/out" and the concept of a "two-speed" Europe. Amidst this familiar scene, some observers think they can spot the recrudescence of an older geopolitical pattern, namely a German fear of encirclement by hostile powers. According to Hans Kundnani, "Germany now fears the emergence of a coalition of weak economies rather than strong armies".

I doubt it. Germany weakened its own economy when it absorbed the DDR in 1990, and it was the driving force behind the expansion of the periphery in Eastern Europe thereafter. Despite the retrospective claims of "cheating" by Greece and others, Germany has never put its foot down to limit either EU expansion or Eurozone membership. Though it is understandably wary of advertising the fact, many in Germany's political establishment feel they have a soft-power mission to promote bourgeois sobriety across the continent. Far from fearing encirclement by a hostile or importunate "periphery", they wish to hug the rest of Europe more closely to Germania's ample bosom.

Syriza is already being cast in the role of a stalking horse for those governments, such as France and Italy, that are privately sceptical about further austerity. The recent EC initiative on infrastructure investment and the ECB decision on QE indicate that establishment support for reflation is about to break cover. In the worst case scenario, Greece could be isolated and a Grexit accommodated by the ECB, but the political impact on the EU of a failure to cut a deal might well be profound, starting with the Spanish elections in December. All the signs suggest the establishment knows that austerity has passed its sell-by-date (the lesson of Osborne's disguised U-turn has been noted), even if it has enabled pro-capital "reforms" such as privatisation and welfare cuts. An easing-up is now widely expected (and priced in) and it would be politically convenient for all parties to cast this as the product of hard but fair negotiations, with Germany in particular receiving praise for compromising in the interests of solidarity.

Syriza's coalition with the Independent Greeks (ANEL) ensures there is a clear mandate for rejecting austerity domestically, so the EU cannot question Tsipras's democratic legitimacy. Assuming the rescheduling of debt, the EU will want Syriza to enact structural reforms as the quid pro quo. Some of these will be no contest (e.g. rooting our corruption, getting serious about tax etc). Others will be more problematic for Syriza (privatisation, labour market deregulation etc). One chip that Tsipras can use to offset some of these demands will be the replacement of ANEL, once the deal is done, by To Potami or even the rump PASOK. The substitute would not only be a "moderating influence" in public discourse, but would effectively act as the EU Commission's watchdog within the Greek government.

ANEL is being characterised as "a far-right nationalist, homophobic, anti-Semitic, hard-core Christian orthodox party". In fact, they are part of the European Conservative and Reformist bloc in the EU Parliament and thus aligned with our very own Tories. Most of the members are Eurosceptic refugees from Nea Demokratia, so the nearest ideological equivalent over here would be UKIP and the bigoted fringe of the Conservative Party. Despite the antisemitic rants by the party leader, Panos Kammenos, this is not the "far-right" - that's Golden Dawn - any more than Syriza's electoral base is "radical left" (most are ex-PASOK voters).

Tsipras's decision to give ANEL the defence ministry is also significant. Kammenos had wanted the shipping ministry, by all accounts, which would have reinforced the oligarchs and called into question the government's commitment to rooting our corruption (of the "wrong" sort). Given the hand he has to play, I think Tsipras's decision to enter coalition with ANEL is probably the optimal move. By the same token, any friendly gestures towards China or Russia should be seen less as residual "leftism" or historic Balkan sympathy and more as the creation of further bargaining chips. China isn't going to underwrite a new Drachma and Russian oligarchs aren't going to swap Mayfair for Kolonaki.

Considering that Greece has various debt repayments scheduled for the end of February, and given the apparent appetite for a deal by key Eurozone players, it is likely that negotiations will proceed fairly quickly. If the pincer-like advance of Podemos in Spain and the Front National in France is to be halted and reversed, the EU establishment needs to deliver a new economic programme that can be credibly cast as pro-growth with top-notes of "hope" and "dignity". A deal can be done, and one that will be genuinely progressive for Greece, hence the focus on building up bargaining chips now. For Germany, the outcome will mix compromise (which will boost bourgeois self-esteem) with structural reform (which will boost German soft-power). Bild will bleat, but Mutti will have strengthened the apron-strings.

Monday, 26 January 2015

The Rise of the Machines

A dog can be thought of as a biological robot - an artificial product of human design. We haven't built it out of inanimate matter, but we have selectively bred its forbears for certain characteristics. The idea that this might eventually lead to humanity being supplanted by another species is limited to satire, such as Mikhail Bulgakov's Heart of a Dog, or to the anthropomorphism of our evolutionary nearest and dearest, such as Planet of the Apes. In contrast, we never cease to worry about megalomaniacal computers and murderous robots knocking us off our perch, despite the negligible progress in artificial intelligence (AI). Edge.org is the latest to tackle the issue, rounding up "experts" (some are just journos and boosters) to answer the question: "What do you think about machines that think?" Despite the wincingly cute formulation, this is a fascinating subject, precisely because it combines science (how), philosophy (why) and politics (who).

Though not one of the Edge contributors, movie heart-throb Stephen Hawking is the latest big name to warn that the technological singularity, when computers become self-aware and start to design faster and smarter versions of themselves, is approaching: "The risk is that computers develop intelligence and take over. Humans, who are limited by slow biological evolution, couldn’t compete, and would be superseded". In suggesting that once machines reach a certain level of intelligence they will push us aside, Hawking is yoking intelligence to autonomy. The singularity is a modern concern, but its form and assumptions originate in the traditional fear that once the lower orders acquire knowledge they will become unruly (or, to put it another way, that class-consciousness will lead to revolution). After a week in which the Davos set eulogised King Abdullah of Saudi Arabia as a moderniser and reformer, the political dimension of the singularity is worth dwelling on.

The singularity: opinion is divided


Those who forecast the rise of the machines can be divided into optimists and pessimists. The optimists look forward to the singularity, assuming that our AI overlords will be benign and that the consequences in terms of technological progress will usher in an earthly paradise. This is obviously a religious impulse: "the rapture of the nerds". Jaron Lanier described it as "a certain kind of superstitious idea about divinity, that there's this entity that will run the world, that maybe you can pray to, maybe you can influence, but it runs the world, and you should be in terrified awe of it". That "terrified awe" hints at the origin of this style of thinking in the Enlightenment notion of "the sublime": a secular reverence for nature and the vertiginous wonders of the universe that lives on in the rhapsodies of Brian Cox.


The pessimists don't just fear the singularity, and a future somewhere between Terminator and The Matrix, they also worry about the course of human development leading up to it, which they usually describe in declinst terms - "the Internet is making us stupid" being a current example. This is a variation on the theme of decadence, the belief that we are doomed by our self-indulgence and lack of moral fibre. Traditionally, "we" is not mankind as a whole, but the better sort - hence the focus on literacy, cognitive skills and other class identifiers, all set within a first world paradigm. Before it becomes a totalitarian dystopia, Skynet is a slave revolt. One emotional reaction to this decadent fear is the search for authenticity and "the joy of using your hands", but artisan craft-brewers are less like Cincinnatus and his plough and more like Marie Antoinette milking cows - another kind of decadence. The information overload trope is a variant on this theme of creeping incapacity - there was probably someone in Ur of Sumer complaining about the information overload of urbanisation and how we had lost our ability to concentrate since leaving the fields behind.

Both clever and funny


The singularity presumes that a computer is capable of imagination: envisaging another computer that is superior to itself. This is not the same as being original or creative, which Alan Turing simplified to whether a machine could "take us by surprise" (Amazon's warped logic has often surprised me), all of which can be programmed and simulated. Rather it presumes a capability for purposeful thought on subjects for which there is no prior data. Imagination is a characteristic of consciousness, the self-aware mind. The "strong AI" premise holds that consciousness is computational and emergent, so a machine can become self-aware (the singularity) assuming progressively more powerful technology.

In contrast, the essentialist premise is that the intelligence referred to by the phrase "artificial intelligence" is by definition a human attribute, so an intelligent machine is no more credible that Brian in Family Guy. Both humans and dogs are sentient and conscious, but we do not mistake canine intelligence for human intelligence - they are categorically different - and we therefore have no reason to believe that "machine intelligence" could ever develop the consciousness of organic intelligence, let alone the attributes of human intelligence such as sapience or self-reflection. While the human mind can imagine mental abilities that don't exist, such as telekinesis or the Vulcan mind meld, we have no grounds to believe that machine consciousness could do likewise.


It is worth remembering that the purpose of the Turing Test is not to show that a computer can think like a human, but to broaden the definition of "thinking" by showing that a machine could imitate the appearance of human thought ("the imitation game"). By this method, Turing sidesteps the essentialist challenge and avoids the need to answer such questions as could a computer be a philosopher? But if we restrict the meaning of AI to "machine intelligence", we prompt the question: how this would differ categorically from human intelligence? One obvious answer is that it would be incapable of autonomy, which puts the kybosh on the singularity.

In cinema, there is a fascination with "artificial emotion", i.e. the ability of a machine to simulate empathy through mimicry, such as in Her or Ex Machina. This is a recurrent artistic motif, from Pygmalion via Metropolis to Blade Runner, but it is enjoying a vogue because we extrapolate the rapid advance from Tamagochi to Siri and wonder what's round the next corner. Politically, this is a case of lowering the bar. It doesn't show that androids can be self-aware and autonomous, but that humans can be brought down to "their" level. This reflects current anxieties about downward social mobility, and overlays the traditional belief that the lower orders are emotionally incontinent. The logical extrapolation of Siri is not C-3PO but Howard's disembodied mother in The Big Bang Theory.

Outside of science fiction, robots do not understand sarcasm, let alone irony. To be fair, this goes over the heads of many humans too. The point is not that sarcasm is a more complex form of intelligence, but that it is an example of ambiguity. Though this quality does not necessarily rule out a computational base - consider the ambiguity inherent in quantum computing - it suggests that simulated ambiguity may be a long way off, not least because we don't fully understand how or why it works in humans. One thing we do know is that a lot of ambiguity is social. The significant point here is not the technical challenge for robotics, but the variety of human intelligence and its interdependence. To put it metaphorically, no two humans are running the same program, and if we equate the mind with an operating system, no two humans are fully compatible. Despite this, human intelligence tends to atrophy in isolation, suggesting that it requires social stimuli.

Fear and loathing


The fear of machines is not just a fear of the lower orders, but a fear of the absence of God as a social capstone. The traditional hierarchy saw man below God but above the animals, with the conclusion that man himself was naturally sub-divided into what Edmund Burke called "a chain of subordination", with WASPs above the lessers breeds and monarchs above the multitude. Darwin's theory of evolution replaced this settled order with a linear progression, suggesting that man himself could progress further. That "blasphemy" has since been transferred to machines, both the reality of WMD ("the destroyer of worlds") and the potential of AI. The fear that they could prove malign is a reflection of our own human failings and thus a repurposing of the concept of original sin: we are bound to bugger things up somehow or other.

A weaker form of this is the fear of being superseded and made redundant. As George Dyson puts it, in typically decadent terms, "What if the cost of machines that think is people who don’t?". The danger is not that HAL9000 might decide to kill us, but that it might decide we are irrelevant to its purpose and thus ignore us altogether (Asimov's Three Laws of Robotics are thus overridden by "whatever"), denying us the benefit of its intelligence either by quitting Earth or devoting itself to hedonism (i.e. sitting there apparently doing nothing, as it can simulate pleasure internally). Of course, this returns us to the problem of explaining how a machine might develop a purpose that had not (and perhaps could not) be imagined by a human mind.


A modern (and distinctively neoliberal) twist on the fear-of-machines trope is the idea that "we" are in competition with them, a conflict that conveniently elides the role of capital. Some, such as tech-booster David Kelly, are prepared to concede the contest now: "This is not a race against the machines. If we race against them, we lose. This is a race with the machines. You’ll be paid in the future based on how well you work with robots". What this ignores is who is doing the paying, and it achieves this misdirection by investing technology with a personality and thus a mind of its own (Kelly is the author of What Technology Wants, which rather begs the question).

One of Steve Jobs's more famous quotes is: "it's really hard to design products by focus groups. A lot of times, people don't know what they want until you show it to them". What is less well known is the next sentence: "That's why a lot of people at Apple get paid a lot of money, because they're supposed to be on top of these things". While most people wheel the quote out in support of not relying on focus groups, or following your dream, the real message is that the rewards go to those who imagine (and fulfill) new needs. This is not a statement that praises human imagination in general (after all, the focus groups were found wanting), but one that praises the vision of an elite. AI can already do a good job of analysing customer preferences, because that is technically quite easy, but it cannot imagine hitherto unmet desires.

The social relations of automation


Karl Marx is often accused of simple technological determinism ("The handmill gives you society with the feudal lord; the steam-mill, society with the industrial capitalist") but as his work on alienation shows, he also recognised that the social relations of capital and labour influenced technological design - i.e. automation was pursued in a manner that disadvantaged labour to capital's profit.  The foundation of the industrial revolution was not steam power but the specialisation by function and production lines of early manufactories. The stocking-frames that the Luddites smashed were human-powered. Their objection was not they did the job quicker and made workers redundant, but that they removed the need for skill and thus lowered wages.


The factory system was hated because it reduced the autonomy that the worker enjoyed under the older putting-out system. The factory itself was a machine for regulating labour. What powered machines enabled was the scaling up of the organisation of the factory system. Modern robots don't look like androids because we organised industry as early as the 18th century to decompose production and thereby "dehumanise" workers. The unit of production was simplified with the intention of minimising the bargaining power of labour, but a byproduct of this was the easier automation of those units of production. However, this meant that machines were cognitively simple, because they inherited the deskilled organisation of industry (Guild Socialism can be read as a humanist reimagining of industry, that sought to reintegrate the unity of the worker, which lives on today in the nostalgia of Steampunk).

The assumption is that the "second machine age" will now automate higher-level cognitive tasks in much the same way, and this is plausible when you consider that the jobs already disrupted by software are those that were organised to be highly procedural, with minimal autonomy and little scope for error (or sabotage) by humans. But this implies that automation will continue to be pretty dumb. If we don't value intelligence in humans, why would we build it into computers? It should come as no surprise that the cultural response to automation in whitecollar jobs has been an increase in "performative humanity", i.e. emphasising skills and behaviours that are distinct from machine intelligence (the anti-Turing test). Examples include the valorisation of emotional intelligence and the vogue for mindfulness, which fetishise social skills and the human brain respectively.

Rights for all


The role of machines as a metaphor for our Promethean hubris means that ethical discussions about AI usually ignore the limitations of technology, instead assuming an equivalence between the biological and the mechanical or even indulging in the metaphysical cop-out of "panpsychism". Our speculation about the rights of self-aware AIs is less about forward-planning and more about contemporary anxieties. The idea of universal human rights is a recent one. For most of history, we have believed that there is as great a gap between the elite and the mass as between the mass and the beasts of the field. Like the philosophy of the Greens, which imagines a world saved from humanity (i.e. "them"), the rapture of the nerds assumes that a worthy elite will survive the transition to live as demigods. The unstated anxiety is that this may turn out to be the owners of intellectual property rights, not the programmers of software.

The core argument as to why an animal such as a dog should have rights is based on consciousness: because an animal can feel pain, it should not be subject to cruelty. Assuming the "strong AI" premise, before we develop a machine equivalent to an average human intelligence, we must logically create a machine equivalent to a human with low intelligence. This machine would be deserving of rights equivalent to a human by virtue of its ability to feel mental pain. Therefore we would have to grant human-equivalent rights to machines that were, in the language of an earlier age, morons. Given that we struggle in practice to extend full human rights to many humans, I suspect the more likely strategy would be to opt for cognitive dissonance, accepting that consciousness is computational but denying the machines rights. In effect, creating a new helot class.


You can see this expectation in the tendency of researchers to stereotype robots as slaves and drudges, building prototypes that serve drinks or fold towels. In parallel we see the development of the servile ego, exemplified in the artificial emotions of Siri and its ilk. The promise of robotics, from automated factories to driverless cars and household droids, is the simultaneous disappearance of the manual working class and the reappearance of the servant class, but without the human interest of Downton Abbey. In the case of the (usually female) sex-bot, a lack of intelligence is a feature, to the point where autonomous behaviour is presented as a bug: "female robots rarely stick to their programs, leading to chaos and destruction". The promise of AI is the disappearance of the clerical classes and the perennially frustrating "human factor" in bureaucracy.

The stars my destination


I don't worry about Skynet. Contrary to the creation myth of the singularity, I think artificial intelligence will remain bounded by human intelligence. It may simulate human personality, and even the artefacts of personality such as works of art, and it may be capable of feats of analysis beyond human comprehension, but it will not achieve consciousness and therefore autonomy. The more realistic danger is not the rise of the machines but technology-augmented humans. Despite the failure of Google Glass (at least in its current form), it is pretty clear that the drive to "improve humanity" is not going to let up, and equally clear that the full benefits will only accrue to a privileged elite, and I don't just mean Tony Stark.

And if this new order is threatened from below, then the elite has its traditional plan B: become an emigrĂ©. According to Hawking: "We face a number of threats to our survival ... We need to expand our horizons beyond planet Earth if we are to have a long-term future . . . spreading out into space, and to other stars, so a disaster on Earth would not mean the end of the human race. Establishing self-sustaining colonies will take time and effort, but it will become easier as our technology improves". You can safely bet that World Economic Forum will be an early-adopter of the off-world opportunities, bidding a fond farewall to Davos as it cruises above the common herd in the Starship King Abdullah.

Wednesday, 21 January 2015

Tits Out for the Lads

The reaction to the retirement of The Sun's Page 3 has been notable for the complete absence of wank. By which I mean, no one has mentioned the role of masturbation. Some commentators have suggested that soft-porn in a daily newspaper lost its value once the Internet opened the firehose of hardcore, but this misses the point that online porn elbowed out top-shelf mags, not tabloid newspapers. Nobody bought The Sun instead of Men Only. Some men did by the paper to provide material they could both safely leave around the workplace and tuck under an arm as they wandered off to a toilet stall for a mid-morning hand shandy (it was less obvious than unhooking the Pirelli calendar). Presumably their needs will now be catered for by The Daily Star.


I'm not suggesting that the disappearance of Page 3 is due solely to a decline in workplace wanking, but it is worth noting the impact of two developments. Joan Smith amusingly suggested a positive role for the Internet: "What made the difference was the internet, which allowed a new generation of women to articulate their opposition to Page 3 and support each other in the face of a backlash". In fact, the key technological change was not the Web or Twitter, but the appearance after 2010 of cheap smartphones supporting video streaming. The key social change has not been the rise of third or fourth-wave feminism but tighter workplace monitoring, with some employers now docking pay or requiring formal requests for loo-breaks. In such a closely inspected environment, the five knuckle shuffle either becomes an unaffordable luxury or necessitates the "quick hit" of a two minute video.

Rupert Murdoch's decision is widely seen as epochal, but I was pleased to see that the paper had not lost its sense of proportion when it said that "Page 3 of The Sun is where it’s always been, between pages 2 and 4", suggesting they might have momentarily considered retiring it, like a football club ostentatiously reserving the squad number of a celebrated player. One thing that Murdoch and his critics had in common was the claim that Page 3 was "old-fashioned", but this is as redundant as saying that Eastenders and Coronation Street are old-fashioned. The question is, what sort of old-fashioned? Rent-a-rant defenders have tried to put it in the tradition of British bawdy, but a better clue was provided by one critic, Stella Creasy, saying "we didn’t need boobs with our breakfast tables", as if most people still got a paper delivered and had time to read it over their boiled egg and soldiers before setting off for work. Surely they have convenience stores and coffee shops in Walthamstow? And do they really still say "boobs"?

While many have associated Page 3 with Benny Hill, a man who literally ran away from adult women, a more troubling spectre has been Jimmy Savile, with many pointing out that The Sun only stopped using 16-year old models in 2003 and was happy once upon a time to dress them in school uniforms. Famously, the paper ran a countdown in advance of Sam Fox's 16th birthday, having featured her previously but without exposed nipples. Paul Gadd (aka Gary Glitter) is currently appearing at Southwark Crown Court (and on a double page spread of The Sun, no doubt). But I think it is wrong to imagine, as Joan Smith does, that "The sexual revolution made Page 3 possible", not least because it was more Health & Efficiency than Forum. This was a cultural artefact of the 70s and 80s, rather than the 60s, and one that looked quaint by the 90s with the arrival of "lads' mags" and their recuperation of Robin Askwith and all his works. Page 3 was of its time, and therefore inescapably Thatcherite, and you wouldn't explain her away as an opportunistic byproduct of second-wave feminism.

Another critique of Page 3's failing powers centres on the increasing use of candid shots of nude or partially-clothed slebs across the media. Some of these will be as staged as the traditional model photos while others are on the border of an invasion of privacy. In contrast, Page 3 was highly formulaic, from its fetishistic staging to the language and tone of the caption. In other words, it was looking increasingly tired up against MailOnline's human zoo, the 'sidebar of shame', which appears to have cornered the mass-market in both self-righteous prurience and borderline lewd since the demise of The News of the World. One common assumption is that MailOnline appeals mainly to women, just like the print version, hence the obsession with physical imperfection and diets, however it appears to do equally well among men, and quite possibly the same "lads" who used to buy Loaded in the 90s and are now fascinated by Kim Kardashian's arse.

Why did Page 3 last for 44 years? It wasn't Murdoch's stubbornness in the face of feminists, nor his commitment to free speech (announcing its demise in the wake of the Charlie Hebdo killings has predictably stimulated the usual suspects into concerns over self-censorship). I think the clue is that it has almost covered the entire working life of the core Thatcher generation. Someone born in the mid-50s would have been a teenager when Page 3 appeared, and will now be approaching retirement. Up to the 70s, women tended to vote more for the Conservatives than Labour. The Thatcher breakthrough owed much to the initial maintenance of that advantage augmented by a swing to the right by male voters. From the 80s onwards, women have shifted left, coincident with their growing presence in the labour market. Though there is much talk at election time of targeting women, in reality it is male voters who have been more likely to "swing", particularly those in their 20s and 30s. Blair's embrace of "Cool Britannia" was a psephological calculation, not just starfucking.

I think the chief reason that Page 3 has been retired is that the target demographic has been dispersed due to economic and social change. The primary sector and manufacturing continue to decline. Transport and warehouse workers have ended up on short-term contracts or been obliged to become self-employed, so downtime means you're not earning. Workers generally are up against the clock. Offices have become increasingly sensitive to overt sexism as women have advanced, so not only are the topless calendars disappearing, so too are magazines as both sexes (and particularly the young) retreat to the Internet on phones and tablets. The Sun even appears to have gone out of fashion as a token of laddishness and ironic class contempt on City trading floors, where a ruffled copy open at page 3 (seriously "manhandled") was a way of marking territory in open-plan offices. In London, it is now unusual to see a paper being read on the Tube other than the free Evening Standard.

Page 3 was a serious work of ideology, and specifically performative gender, not just in its portrayal of women as fluffy-headed, antiseptic pleasure bots, but in its implicit portrayal of the working class male as more-cock-than-brain yet as sexually sophisticated as a sausage roll. We should celebrate its demise as the last weak fart of Thatcher's mouldering corpse, but we should also recognise that it represents a kind of proletarian defeat.

Saturday, 17 January 2015

Characters in Search of an Author

Andrei Zvyagintsev's film Leviathan employs a number of familiar Russian tropes: the bleak but beautiful environment; the lure of Moscow; the pettiness of rural tyranny; the farce of bureaucracy; the hypocrisy of religion; the punishing seriousness of drink; the impossibility of doing right. This hyper-Russianness has caused the film political problems at home, where after initial support by the Ministry of Culture it has been branded unpatriotic and offensive, while its foreign reception has focused too much on the supposedly looming presence of Vladimir Putin, who is actually no more prominent than the brief and oblique references to Pussy Riot. Though it is an openly political film, in the widest sense of that word, narrow politics is in danger of obscuring the art.


I suspect the change in the attitude of Russian officialdom, ahead of its delayed general release in the country (with the swearwords cut, due to a recent blasphemy law), owes much to the inflection of the film's interpretation abroad. That interpretation was always going to biased by the traditional Western image of Russia, which assumes that the "existential despair" the Minster of Culture complained of is as common as borscht, that the state is both vicious and incompetent (banning transgender drivers), and that Russian culture is dominated by dissident weirdness (recreating the Eye of Sauron) and self-consciously theatrical politics. In fact the film is far more universal in its analysis of defeat, and angry rather than despairing. Zvyagintsev insists it is based on a true story about a planning dispute in the USA, and given this week's arson attacks in South Oxfordshire, I can quite believe it. What has coloured the reaction, first in the West and then in Russia, is the "new Cold War" vibe.

The setting is the far north west, near Murmansk - a bleak tundra coastline of weak sunshine and roaring waves, with the wrecks of old boats and the bones of a whale embedded in the white sand. The story centres on the age-old and ultra-modern issue of property rights. Kolya repairs cars and trucks for a living, often as a favour to his mates in the Traffic Police. He lives with Lilya, a Chekhovian heroine who works in a fish factory, and Roma, his truculent teenage son from an earlier marriage. His self-built home, overlooking a bay, is being compulsorily-purchased by the council, headed by the outrageously corrupt Vadim, for a derisory sum. Kolya suspects Vadim intends to build a mansion in its place. He calls in his old army buddy, Dima, now a smooth Moscow lawyer, to help secure adequate compensation. Dima proposes the threat of blackmail, exposing Vadim's corrupt practices to more powerful officials in the "vertical", rather than the angry confrontation that is Kolya's default setting. Everyone drinks, and criticises the drinking of others.

As the Hobbesian title makes clear, this is a tale about authority, but the twist on the standard cinematic treatment of the subject is that these are characters in search of it, rather than rebelling against it. Kolya seeks justice from the state, Vadim seeks sanction from the church, while Roma both wants and rejects his father's authority. The tragedy stems from the refusal of those who are offered a position of authority to accept it: "I am not your confessor". This is because authority entails moral responsibility, and none of the characters can bear that burden. Instead they make do with naked power, from physical abuse to institutional corruption, or they submit to that power and exploit the limited opportunities that come their way. The cold air hums with the threat of violence and betrayal, as well as the music of Philip Glass's Akhnaten (another tale of authority).

Leviathan provides an interesting contrast with the year's other "foreign" film hit, Ida, which is also in the running for the Oscars. Pawel Pawlikowski's beautifully shot monochrome film also explored the themes of church and state, justice and betrayal, self-sacrifice and escape. There is less drinking, but a lot of smoking, and jazz. In the Poland of the early 1960s, the violence is historic and authority still intact, not least because of the legitimation of the struggle against the Nazis, but a reference to the promise of Gdansk, where antigovernment riots broke out in 1970 and Solidarity was formed in 1980, hints that this authority will shortly erode. Lilya in Leviathan could almost be an older Ida who chose not to return to the convent and has regretted the loss of authority ever since.

In the West Leviathan is seen as critical of Putin, whose framed picture appears on a wall (apparently in situ when the film crew borrowed the location) and who is referred to obliquely in the company of earlier, Soviet leaders. The simplistic interpretation is that this parochial backwater is a microcosm of a nation riddled by corruption and a lack of moral accountability, but in a Russian context this can also be interpreted as a plea for authority, which is precisely Putin's political pitch. This nuance has been lost in the noise of the government and the Orthodox church condemning Zvyagintsev's work as an insult to the nation, but it bears repeating that this negative reaction largely occurred after the film's foreign success. Like it or not, events in Ukraine have heavily influenced reactions to the film both at home and abroad. For the West, Leviathan is evidence that Putin's domestic support may be fragile; for Putin's supporters, it is evidence that the opposition is unpatriotic, potty-mouthed and quite possibly gay (the only sex-scene is heterosexual, but there are shots of the buff Dima in the shower).

Leviathan is a Dostoyevskian tale in its polyphonic structure, as much as in its biblical references, father-son relationships (Vadim and the Bishop, as well as Kolya and Roma), compulsive behaviour, guilt and suicide. There is even a last-minute reprieve from a firing squad. The bishop is a cynic who owes a debt to the novelist's Grand Inquisitor, but he also has something of the assurance of the Soviet-era ideologist and the smoothness of the modern "biznessman". Everything is process and the correct observance of form. At the end of the film, it is revealed that Kolya's home has been demolished to make way for a new, onion-domed church. This could be a concrete metaphor for the new-old Russia of Putin, but the choice of a church rather than a mansion for the mayor suggests that Zvyagintsev is concerned more with dishonest than honest corruption; pernicious ideology rather than the quotidien abuse of power.

In contrast to the bishop, the parish priest is poor and righteous, but he is also a fool. His sermon to Kolya is the standard quietist nonsense about Job accepting God's will, but the scene tells us another story. They meet in the store, where Kolya buys ("what else") two bottles of vodka and the priest multiple loaves of bread. Kolya offers to carry the priest's load back to the ramshackle presbytery where a Russian Mrs Doyle passes on a loaf to a nearby swineherd. We finish with the sight of pigs troughing swill. Though some Western critics have seen the priest as the moral centre of the film, largely because of the contrast with the venal bishop, this small parable within the larger story suggests that the consolation of religion (the bread of Christ) is just more pigswill.

Wednesday, 14 January 2015

The Clash of Civilisations

One of the themes of the reaction to the Paris killings has been the insistence in the mainstream media that this is not a "clash of civilisations", which contrasts with the populist clamour on social media that Muslims must share collective responsibility. While they have not employed the phrase, anti-immigrant political parties clearly think along these lines ("fifth columnists", "Islamists have declared war" etc), with newer pressure groups like Pegida, whose very name embodies the concept ('Patriotic Europeans Against the Islamization of the West'), gaining media prominence. Despite their protestations, many liberal commentators have also internalised the trope, with some eager to see parallels elsewhere ("There is no connection, of course, between the Paris tragedy and the conflict in Ukraine ... But there is one common element. It is that the very essence of Europe ... has come under attack") and others dropping the mask altogether.

The clash of civilizations trope originated in an article by Samuel Huntington in Foreign Affairs in 1993. This was essentially a rebuttal of the democratic universalism advanced by Francis Fukuyama in 1989's The End of History? It is politically neoconservative - an essentially pessimistic assessment of geopolitics that advocates confrontation abroad - in contrast to the more optimistic stance of neoliberals centring on the beneficial spread of liberal democracy and markets. In practice, US policy has long been a combination of the two (military force plus the IMF). Huntington's key development was to substitute "civilisations" for the traditional realist model of competing nation states and (after 1945) ideological power blocs: "The great divisions among humankind and the dominating source of conflict will be cultural. ... The fault lines between civilizations will be the battle lines of the future."

Huntington's definition of the unit of "civilisation" was both monolithic and vague, which resulted in it being lazily identified with religion and race by sympathisers and debunked by critics like Edward Said. Though foreign policy wonks still occasionally use the term in respect of US-China rivalry, the popular understanding since 2001 is that the clash is between Islam and the West. In Huntington's reading, attempts to export democracy are counter-productive specifically in the Middle East: "In the Arab world, in short, Western democracy strengthens anti-Western political forces". This hints at the Orientalism of neoconservatives, which is contemptuous of the "Arab street" and equates authoritarianism with stability. Though Islam is the particular bete noire, it is easily blended into a non-Occidental stew: "the paramount axis of world politics will be the relations between 'the West and the Rest'". This is a continuation of the anglocentrism and racist paranoia of a century ago. For Huntington, "a central focus of conflict for the immediate future will be between the West and several Islamic-Confucian states". The modern "axis of evil", from Iran to North Korea, is an echo of the Mad Madhi and Fu Manchu.


The basis of the thesis is a number of truisms: there are cultural characteristics that span nation states; there are geopolitical boundaries that have historically witnessed a lot of conflict; and nations are gradually merging sovereignty into supra-national economic blocs. However, it does not follow from this that the dominant geopolitical unit of the future will be a pan-national "civilisation", nor that conflict is inevitable at its edges. Huntington ignores that pan-national characteristics are multiple and overlapping (e.g. language versus religion); that conflict points often have as much to do with geography, technology and social pressures as civilisational friction (e.g. Somalian pirates are the product of shipping lanes, speedboats and a failed state, not the proximity of Kenyan Christians); and that supra-national economic blocs are examples of pragmatic cooperation whose participants usually draw the line at ceding national sovereignty (e.g. the European Union). Huntington's "civilisations" are ideological constructs.

Unsurprisingly, the thesis has been used as an intellectual justification for the rejection of multiculturalism. As Richard Rubinstein & Jarle Crocker noted, Huntington's "Spenglerian pessimism has Social Darwinist as well as realist roots; in the struggle for survival and supremacy, victory belongs to the civilization most culturally unified, most determined, and best adapted to the pursuit of global power. Therefore, Huntington sees multiculturalism - 'the de-Westernization of the United States' - as a grave threat to U.S. and Western interests." Instead of being applied to conflicts in the border-lands that Huntington identified, such as the Balkans and the Caucasus, the "clash of civilisations" trope has tended to be wheeled out in response to jihadi terrorist acts in the West since 9/11. Gradually this has been extended to any behaviour seen as objectionable, subversive or simply too Muslim: Abu Hamza preaching outside Finsbury Park mosque, the Trojan Horse affair in Birmingham, the Rotherham sex abuse scandal. The loss of nuance in these situations (Abu Hamza was a known menace, the Rotherham abusers' religion was incidental) means that Islam is treated as suspect by default.

A key premise of Huntington's theory is that globalisation has led to a weakening of nationalism and thus a revival of religion: "the processes of economic modernization and social change throughout the world are separating people from longstanding local identities. They also weaken the nation state as a source of identity. In much of the world religion has moved in to fill this gap, often in the form of movements that are labeled 'fundamentalist' ... The revival of religion ... provides a basis for identity and commitment that transcends national boundaries and unites civilizations." The idea that economic modernisation weakens national identity is dubious. By this logic, the USA, at the bleeding edge of economic modernisation, should have the world's weakest sense of nationhood, rather than being the home of patriotic flag-wavers. This causal relationship makes no better sense in the "civilisational zone" of Islam.


In the Middle East, nationalism grew in tandem with, and was strengthened by, economic modernisation during the 50s and 60s. It was the stagnation of the latter, in no small part due to the "resource curse" of oil in the 70s, that provided the fertile soil for the growth of political Islam, not a decline in nationalism. Iran, the only Islamic theocracy (i.e. where the head of state is a cleric), is a nation state with a long history of antipathy towards Arab states. More recently, Turkey's aspirations as a national power have been fuelled by economic growth, while the ruling AKP party is fundamentally conservative rather than Islamist. The idea that religion unites civilisations is easily disproved, both by the centuries-old Sunni-Shia schism and the more recent objection of UKIP voters to Christian Poles. There is also the small matter of religious belief, which, after the recalibration in the early 90s, has continued its long-term global decline. Religiosity is inversely correlated with living standards, hence the antipathy of religious authorities to secular modernity in the West as elsewhere.

Huntington subsequently claimed that he was talking in terms of cultural legacy rather than actual religious affiliation, but many of the footsoldiers of the "clash" ideology see it in Manichean and religious terms (from Anders Breivik to online trolls), while those neoliberals and secularists (like Richard Dawkins) who frame the clash as being between the Enlightenment and "Medievalism" are guilty of the soft bigotry of Orientalism. In practice, religion remains the opiate of the (poorer) people and a minor concern for sophisticated political realists. The USA has no difficulty maintaining a close relationship with Saudi Arabia, despite the latter's Wahhabism and sponsorship of Salafism abroad, and it should hardly need stating that the growth of jihadi terrorism owes as much to American instrumentalism in Afghanistan in the 1980s as it does to a revival of religious feeling.

Huntington also pointed to a change in elite behaviour: "In the past, the elites of non-Western societies were usually the people who were most involved with the West, had been educated at Oxford, the Sorbonne or Sandhurst, and had absorbed Western attitudes and values. At the same time, the populace in non-Western countries often remained deeply imbued with the indigenous culture. Now, however, these relationships are being reversed. A de-Westernization and indigenization of elites is occurring in many non-Western countries at the same time that Western, usually American, cultures, styles and habits become more popular among the mass of the people." If local elites are playing up religion or other indigenous allegiances, this is because the advance of democracy has required them to secure popular support (e.g. Imran Khan in Pakistan and Ashraf Ghani in Afghanistan). London is currently thriving in no small part due to its role servicing the educational and cultural needs of elites from other "civilisations", including new customers such as the Chinese.


As well as the power of religion, Huntington suggested that civilisational homogeneity underpinned the growth of regional economic blocs: "On the one hand, successful economic regionalism will reinforce civilization-consciousness. On the other hand, economic regionalism may succeed only when it is rooted in a common civilization. The European Community rests on the shared foundation of European culture and Western Christianity. The success of the North American Free Trade Area depends on the convergence now underway of Mexican, Canadian and American cultures." The irrelevance of religion can be seen both in the current friction between Germany and Greece, which has nothing to do with Orthodoxy, and in Bulgaria's determination to cleave to the EU rather than a Russian-led Orthodox bloc. Far from Mexico (a "torn country" in Huntington's analysis) becoming more Western, the USA is demographically and culturally becoming more Latino, hence the increase in xenophobic protests in Texas and Arizona.

Though Huntington saw the border between the West and the Orthodox East running down the middle of Ukraine, he also saw that country as firmly within the Russian civilisational zone, much as it had been under the Soviet Union: "In 1991 and 1992 many people were alarmed by the possibility of violent conflict between Russia and Ukraine over territory, particularly Crimea, the Black Sea fleet, nuclear weapons and economic issues. If civilization is what counts, however, the likelihood of violence between Ukrainians and Russians should be low." Huntington died in 2008, so he didn't live to see the Russian annexation of Crimea. He might have claimed that the fissure in Ukraine is civilisational - between the Catholic West and Orthodox East - but this doesn't stand up to scrutiny. Kiev is historically Orthodox and the Catholic population, at about 6% of the total, is both physically and demographically marginal.

The break up of the Cold War blocs, and the peripheral conflicts this gave rise to, led Huntington to assume that the edges of his conceptual civilisations would be the key friction points in future: "In the coming years, the local conflicts most likely to escalate into major wars will be those, as in Bosnia and the Caucasus, along the fault lines between civilizations. The next world war, if there is one, will be a war between civilizations." It is worth recalling the lessons of the earlier world wars. The Great War started as a fault line conflict between Catholic Austria-Hungary and Orthodox Serbia. Though this appears to support Huntington's thesis, it ignores the fact that there were repeated Balkan wars over the preceding 40 years, also involving the Islamic Ottomans, that did not escalate. The reason why Sarajevo in 1914 led to a world war was the antagonistic alliance system within the Western bloc. Indeed, both world wars could be considered essentially civil wars if we think in Huntington's civilisational terms (the mid-century war against Japan fits Huntington's scheme better, but without the conflict in Western Europe and North Africa it is unlikely that this would have been seen as a "world" war).


Huntington's tour d'horizon came at a time when the USA (which he routinely conflated with "the West") was top dog: "Military conflict among Western states is unthinkable, and Western military power is unrivalled. Apart from Japan, the West faces no economic challenge." The purpose of this statement (which 20 years later looks quaint given the rise of China and the stagnation of Japan) was not to crow, but to warn the West that its then-current supremacy was already in jeopardy as non-Western civilisations started to flex their muscles in the post-Cold War environment. As ever when the rise and fall of civilisations is evoked, the tone is a mixture of the bitter and the elegiac, a style traceable back via Oswald Spengler and Arthur Toynbee to Edward Gibbon. Though Johnny Foreigner may be the ostensible target, Huntington's real regret is for a mythical past when the common people and minorities knew their place, and when the brightest and the best ran the show.

Huntington mostly keeps his reactionary nostalgia in check, but his worldview is inescapably anglocentric, snobbish and implicitly racist. While the West includes Australia and New Zealand, it does not (yet) include Mexico or the Caribbean. It's goal should be "to incorporate into the West societies in Eastern Europe and Latin America whose cultures are close to those of the West". This is realpolitik peeping through, as Huntington envisages a Western bloc that includes some Latin Americans (Mexico and perhaps a rehabilitated Cuba) and some Eastern Europeans (the Baltic states), yet manages to retain its civilisational identity.To suggest that there is a common culture and set of values that unites Tallinn and Tijuana, but which is simultaneously alien to St Petersburg and Istanbul, is absurd.

Just as he merges the non-West civilisations into the hostile blob of "the rest", so Huntington happily absorbs subaltern cultures into a WASP-dominated "us", which indicates the all-too traditional imperial thinking at the heart of his thesis. His original article proposed 7 or 8 civilisations: "Western, Confucian, Japanese, Islamic, Hindu, Slavic-Orthodox, Latin American and possibly African". The afterthought is telling, echoing the condescension towards African culture that has been an imperial commonplace since the nineteenth century. These old prejudices continue to bubble up. For example, Nigel Farage's "fifth column" comment was widely criticised for unreasonably tarring all Muslims with the same terrorist brush, but the underlying message of the term is that foreigners are untrustworthy: a commonplace of xenophobic propaganda.


Perhaps the worst effect of Huntington's clash of civilisations thesis has been to surface these prejudices. While traditional realpolitik's pride in its objectivity and dispassion was ideological, it did operationally assume that the West was confronting rational actors and that the external constraints on these actors, such as geography and resources, were comprehensible. The shift to a geopolitics based on culture created opponents who were potentially incomprehensible and unpredictable. The result was that US strategic thinking on deterrence shifted in turn to a conscious employment of irrationality in the 1990s. In The Essentials of Post-Cold War Deterrence, the Department of Defense was quite open about this: "That the U.S. may become irrational and vindictive if its vital interests are attacked should be part of the national persona we project to all adversaries", and "the penalty for using Weapons of Mass Destruction should not just be military defeat, but the threat of even worse consequences". This suggests that the trashing of Iraq after 2003, and the use of exemplary torture, was not some emotional over-reaction or miscalculation but conscious policy, rooted in an unwillingness to engage or understand. So much for the advance of civilisation.