To the Greater Glory

In an LBC interview in which Rachel Johnson sought, under the cover of reflections on Easter and the decline of Christian worship, to push a polite, middle class version of the Great Replacement Theory (here in the form of mosques springing up across Europe as churches stood empty), Richard Dawkins, the evolutionary biologist and "famous atheist" (as Fox News put it, channelling their inner Viz), described himself as a "cultural Christian", which seemed to come down to regretting Sadiq Khan celebrating Ramadan. This immediately overshadowed Johnson's agenda and even led to the Daily Telegraph's parliamentary sketchwriter, Madeline Grant, hailing a "spiritual volte face" unprecedented since Paul on the road to Damascus, illustrating once more that this class of frivolous journalism is characterised by its inability to pay attention as much as by its lack of descriptive originality. Grant appreciates that Dawkins remains an atheist, but she none the less uses the term "conversion" to describe his act of witness, so what exactly is the professor emeritus converting to?

The obvious point to make is that Dawkins hasn't really changed his tune over the years. There has been no conversion, no sudden flash of revelation. He has been a cultural Christian - relishing the form but deriding the content - in plain sight all along. His rebarbative style was always an expression of the academic top table milieu that formed him rather than some innate radicalism. He would happily call you a superstitious idiot, but he would not support Denis Diderot's contention that "Man will never be free until the last king is strangled with the entrails of the last priest". Too uncultured; too much redolent of the mob. Grant's article gives us a clue as to what is really going on here when it segues via some waffle about the decline of Christianity in Scotland to a full-throated attack on the SNP's "draconian hate crime legislation", which then links to the usual defence of St Joan of Rowling. Dawkins himself has been a loud defender of the novelist (and also Kathleen Stock) against what he descibes as trans activist "bullies". 

His fundamentalist defence of biological sex is driven by the same British empiricism that motivates his atheism. That philosophical approach, dating back to the seventeenth and eighteenth centuries, has obvious overlaps with the evolution of political and economic Liberalism, but it also stimulated Romanticism in the cultural sphere, both as an anti-Enlightenment reaction and as a compromise between conservative and progressive impulses. What Dawkins refers to as cultural Christianity is an expression of that: a man of science among the picturesque abbey ruins contemplating the sublime. But cultural Christianity has deeper roots, going back to the English Reformation. Dawkins is very much an Englishman in this respect, the parallel Scottish Reformation with its Calvinist intolerance and strict social observances being as uncongenial to him as contemporary Islam (Scotland enters his mental space only with the Scottish Enlightenment of David Hume and Adam Smith). And we shouldn't forget that the attack upon the Roman church, and the fact that it was a top-down movement - a raison d'etat, is as much a part of the evolution of English atheism as the Enlightenment was.

Anglicanism is ridiculous as theology, the monarch as head of the church being only the most obvious of its absurdities. But as an expression of a culture dedicated to property rights, born out of the expropriation of the monasteries under Henry VIII and the resulting emergence of the political gentry and the improving tenantry, it was immensely powerful and retains a cultural clout today precisely because of its legacy property portfolio. When Dawkins lists the charms of Christianity he quickly moves on from hymns and carols to emphasise the danger of losing "our cathedrals and our beautiful parish churches". He's not talking about Catholic churches or Methodist chapels here, and nor is he making a point about architectural merit. Likewise, Rachel Johnson's worry that those churches are emptying while new mosques spring up is not simply Islamophobia but a belief that "our" culture is defined by its property and more precisely by who has the right to own it. She admits her own Christianity "waxes and wanes" as if this wasn't the most Anglican statement imaginable.

Both Dawkins and Johnson are products of the English gentry so this mindset is natural to them. They cannot imagine a country in which the right sort - i.e. people like them - aren't in control. When Dawkins describes Christianity as "a fundamentally decent religion", in contrast to Islam, he isn't making a theological point but describing his comfort with an "ethos" that is congenial to him and his class, and congenial precisely because it is the historic expression of that class's social and political interests. When he expresses concern that the King as Prince of Wales was sympathetic to Islam, he doesn't stop to consider that many of the monarch's subjects are Muslims: these people are other. Likewise, his distinction between Anglicanism and fundamentalist Christianity in America centres less on any doctrinal differences, or even attitudes to such matters as evolution, female ordination or abortion, than on the expressions of class: the idea that American Christianity is fundamentally vulgar and unschooled as much as it is irrational or bigoted. 

Some of his critics have pointed out the inconsistency in Dawkins being happy with the decline of Christian worshippers but unhappy at the prospect of losing Christian buildings. But to imagine that one depends upon the other is to misunderstand this country's history. The state religion of the United Kingdom is the Church of England (the official churches of the peripheral nations are irrelevant), but the raison d'etre of that church is property, not theology, and it worships the greater glory of the English gentry, not God. In appearing to line up with the forces of conservatism, whether expressed as Islamophobia or transphobia, Dawkins is simply reaffirming his own liberal credentials as he sees them: a robust defence of empiricism, property rights and the superiority of native culture. Not only is there nothing surprising in Dawkins' latest contribution to the discourse but he has proved himself once more to be wholly consistent in his views.